Winner of the 2016 Pulitzer Prize for Drama and Eleven Tony Awards, including Best Musical Lin-Manuel Miranda's groundbreaking musical Hamilton is as revolutionary as its subject, the poor kid from the Caribbean who fought the British, defended the Constitution, and helped to found the United States. Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation. HAMILTON: THE REVOLUTION gives readers an unprecedented view of both revolutions, from the only two writers able to provide it.
Mastery of craft depends on repetition: the more opportunities student actors have to be guided through analyzing scripts, the more likely they are to develop a reliable process for making choices when the time comes to work independently. That's why Acting on the Script contains eight short plays, which can be used independently or as parts of one full-length play, giving aspiring actors the practice they need to tell the story of the play and of their characters clearly, believably, and compellingly. With each new scene, readers are given the opportunity to think through the analysis and synthesis process independently, then they are guided clearly through that process.
What should an actor be thinking onstage? This overlooked, important question is the crux of this new book that combines psychological theory, numerous practical exercises, and a thorough and wide-reaching examination of inner monologue in various forms including film, musical theatre, and comedy.
The Actor's Workbook is an essential workbook for actors, actors in training and teachers of acting and drama. The workbook and video provide a clear, step-by-step guide to learning techniques in acting.The book presents a system of exercises which will develop core acting skills, offers techniques for developing an authored role and models for devising new work. These techniques are based on the practices of Konstantin Stanislavski and his recent theatrical descendants including Uta Hagen, Sanford Meisner, Michael Chekhov and others.The exercises in the book are outlined in a student-centred approach, offering not only in-class exercises, but also pre-class exercises, educational frameworks, teaching-tips, suggested texts through which to apply the work, follow-up exercises and suggestions for further reading in each chapter.Enabling and guiding the actor's sustainable, communicable, believable transformation into an imagined reality, this workbook is filled with powerful and precise acting tools, each underpinned by a rigorous and well-explained philosophy of practice.The Actor's Workbook includes video of the author teaching the exercises, with professional actors demonstrating the techniques to be learned.